For classical artist managers
Artist management CRM features, in the order of a season
Live tools only. Add-ons are labelled. They are not on every seat.
Your roster
Who you represent, what they sing, and the papers a house asks for should live on one artist record.
Find the work
Pitch from real availability, not from a diary you rebuilt by hand.
Close the deal
The house said yes. The contract should already know the artist, the role, and the dates.
Deliver the engagement
Premieres, rehearsals, travel, and tasks should sit on the same season, not in five tools.
Get paid
Fees, costs, and commission should be clear after the last performance, not reconstructed in a spreadsheet.
Communicate
The inbox should know which house, which artist, and which contract the thread belongs to.
Promote
Lists and newsletters should come from houses you already know, not from a bought address file.
See the whole office
The morning question is what is due today, not where the spreadsheet went.
Platform and trust
The roster is personal data. Hosting, backups, and who can sign in should be plain.
Ready to run the roster in one place?
Book a demo. Roster, contracts, mail, and promotion stay on one desk.